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備注:已完結(jié)
類型:劇情片
主演:湯姆·漢克斯 羅賓·懷特 加里·西尼斯 麥凱爾泰·威廉遜 莎莉·菲爾德
導(dǎo)演:羅伯特·澤米吉斯
語言:英語
年代:未知
簡介:阿甘(湯姆·漢克斯 飾)于二戰(zhàn)結(jié)束后不久出生在美國南方阿拉巴馬州一個閉塞的小鎮(zhèn),他先天弱智,智商只有75,然而他的媽媽是一個性格堅強的女性,她常常鼓勵阿甘“傻人有傻福”,要他自強不息。 阿甘像普通孩子一樣上學(xué),并且認識了一生的朋友和至愛珍妮(羅賓·萊特·潘 飾),在珍妮 和媽媽的愛護下,阿甘憑著上帝賜予的“飛毛腿”開始了一生不停的奔跑。 阿甘成為橄欖球巨星、越戰(zhàn)英雄、乒乓球外交使者、億萬富翁,但是,他始終忘不了珍妮,幾次匆匆的相聚和離別,更是加深了阿甘的思念。 有一天,阿甘收到珍妮的信,他們終于又要見面……
備注:已完結(jié)
類型:愛情片
主演:莎拉·米爾斯 羅伯特·米徹姆 克里斯托弗·瓊斯 特瑞沃·霍華德 約翰·
導(dǎo)演:大衛(wèi)·里恩
語言:英語
年代:未知
簡介:故事發(fā)生在第一次世界大戰(zhàn)時期的愛爾蘭,羅茜(莎拉·米爾斯 Sarah Miles 飾)是一個個性開朗熱情奔放的女孩,她愛上了名為查爾斯(羅伯特·米徹姆 Robert Mitchum 飾)的小學(xué)校長,雖然兩人的年輕相差巨大,但羅茜猶如飛蛾撲火一樣的不顧一切,同查爾斯攜手步入了婚禮的殿堂。 然而,新婚當(dāng)夜,兩人之間就發(fā)生了激烈的爭吵。直到此時羅茜才發(fā)現(xiàn),自己和查爾斯在性格上根本就不相配,但是為時已晚。之后,羅茜邂逅了少校蘭德福(克里斯托弗·瓊斯 Christopher Jones 飾),后者向羅茜展開了熱烈的攻勢,羅茜又一次墜入了情網(wǎng)。一連串意外的發(fā)生讓羅茜成為了村子里的眾矢之的,村民們將她囚禁了起來,想要給予她應(yīng)受的懲罰。
備注:已完結(jié)
類型:恐怖片
主演:謝利·溫特斯 克里斯托弗·瓊斯 黛安·瓦西 米莉·佩金斯
語言:英語
年代:未知
簡介:Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb