備注：已完結
類型：科幻片
主演：耶日·斯圖爾 克里斯提娜·楊達 卡里娜·謝魯斯克 馬里烏什·德莫霍夫斯
導演：皮奧特爾·舒爾金
語言：其它
年代：未知
簡介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
備注：已完結
類型：科幻片
主演：安德烈·瑟韋林 杰吉·特雷拉 格拉齊娜·迪拉格 瓦爾德馬·科納克基 伊
導演：安德烈·祖拉斯基
語言：其它
年代：未知
簡介：改編自叔叔杰西·祖拉斯基(Jerzy Zulawski)的科幻小說杰作《月球三部曲》，故事描述人類逃離毀滅的地球，飛船墜落在銀色星球上，不久后有人開始在星球上進行造神運動，然信徒分化后一派奉此外來政權為神，另一派則視之為魔，人性貪婪的劣根性，在這星球上暴露的一覽無遺…… 本片被譽為是“一部拍給另一個世界的人看的電影”。影評人一致推崇這部片是導演安德烈·祖拉斯基電影生涯中，最具史觀、野心勃勃且兼具后現代主義的科幻哲思電影，也是他重回故鄉波蘭拍攝的歸鄉代表作。 這部充滿爭議的杰作，安德烈以非常風格化又帶著原始情欲的方式，傳達其所鐘愛的命題：一則后現代主義式的寓言。故事的結局，地球人不但改變原本的內在，連外在也慢慢變成介于人與鳥的中間物種。這種由內而外，進而轉化成另一物種的隱喻，也為這部猶如政治寓言的科幻史詩，更添加了奇幻色彩。 1977年當影片拍好八成時，新上任的波蘭文化助理大臣禁止此片拍攝，并下令銷毀場景、布置和服裝，直到1986年波蘭民主化，本片才跟著其它禁片出土。本片同時也發掘了戛納影后克里斯提娜·楊達的潛能，拍攝這部處女作不久，她成為基耶斯洛夫斯基及瓦伊達最喜愛的女演員，也成為波蘭的國民影后。
備注：已完結
類型：海外劇
主演：Jan·Mayzel 達尼爾·奧勒布里斯基 奧爾基爾德·魯卡斯瑟維克茨
語言：波蘭語
年代：未知
簡介：按照《圣經》“出埃及記”的記載，《十誡》是十條上帝對人類的戒律。而基氏所講述的是十個現代版離經叛道的警世恒言。十段短片都是普通人在平凡生活中發生的故事，卻向我們提出了有關道德人性、宗教倫理、科學理性等...
備注：已完結
類型：劇情片
主演：阿圖爾·巴奇斯 昂里克·巴蘭諾斯基 胡契克·卡勒塔 馬婭·科莫羅夫斯卡
語言：波蘭語
年代：未知
簡介： 按照《圣經》“出埃及記”的記載，《十誡》是十條上帝對人類的戒律。而基氏所講述的是十個現代版離經叛道的警世恒言。十段短片都是普通人在平凡生活中發生的故事，卻向我們提出了有關道德人性、宗教倫理、科學理性等諸多人類精神世界的問題。第一誡中葬身湖底的小巴博，都是因為父親一味迷信電子技術的結果；第二戒里的女人在兩難中做出選擇；第三戒是有關婚姻的困境；第四戒講述有關家庭倫理的問題……第十戒以兩兄弟間的猜忌而告終。基氏向我們赤裸裸的解剖著這古老的十誡，永恒的人性難題又一次遭受現代社會里種種有關精神戒律的挑戰與質疑。
