備注：已完結
類型：劇情片
主演：貝蒂·戴維斯 喬治·布倫特 亨弗萊·鮑嘉 杰拉丁·菲茨杰拉德 羅納德·
導演：愛德芒德·古爾丁
語言：英語
年代：未知
簡介：茱蒂絲（貝蒂·戴維斯 Bette Davis 飾）是混跡在上流社交圈里的交際花，一次偶然中，她發現自己的腦袋里長了一個腫瘤，命不久矣。悲觀而又倔強的茱蒂絲決定對自己所剩無多的人生放任自流，開始了夜夜笙歌的無度生活。 在一場派對上，茱蒂絲結識了腦科醫生斯迪爾（喬治·布倫特 George Brent 飾），斯迪爾為茱蒂絲進行了腦科手術，成功的取出了腫瘤，與此同時，兩人也墜入了情網之中。茱蒂絲和斯迪爾很快就攜手步入了婚姻的殿堂，婚后的生活充滿了幸福和快樂，直到有一天，茱蒂絲發現自己的腫瘤復發了。絕望之中，她恢復了從前放縱的生活，這令斯迪爾感到非常痛苦。
備注：已完結
類型：喜劇片
主演：艾瑪·斯通 艾瑪·湯普森 喬爾·弗萊 保羅·沃爾特·豪澤 約翰·麥克雷
導演：克雷格·吉勒斯佩
語言：英語
年代：未知
簡介：影片改編自道迪·史密斯的小說，故事設定在20世紀70年代朋克搖滾革命時期的倫敦，講述了一個名叫艾絲黛拉（艾瑪·斯通 飾）的年輕騙子的故事。艾絲黛拉是一個聰明又有創意的女孩，她決心用自己的設計讓自己出名。她和一對欣賞她的惡作劇嗜好的小偷交上了朋友，并能夠一起在倫敦的街道上建立自己的生活。有一天，艾絲黛拉的時尚品味吸引了馮·赫爾曼男爵夫人（艾瑪·湯普森 飾）的眼球，她是一位時尚界的傳奇人物，擁有毀滅性的時尚和可怕的高雅，但他們的關系引發了一系列事件，導致艾絲黛拉去擁抱她的邪惡一面，成為了兼具瘋狂、時尚和報復心的庫伊拉。
備注：已完結
類型：劇情片
導演：劉易斯·艾倫
語言：英語
年代：未知
簡介：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
