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備注：已完結(jié)
類型：劇情片
主演：托馬斯·克萊舒曼 彼得·費(fèi)奧多羅夫 菲利普·萊因哈特 姜廣濤 阿列克謝
導(dǎo)演：費(fèi)奧多爾·邦達(dá)爾丘克
語言：俄語,德語
年代：未知
簡介：1942年秋天，人類史上最慘烈的一場戰(zhàn)爭在寒冷的土地上爆發(fā)。德國人穿越伏爾加河抵達(dá)對岸斯大林格勒設(shè)防固守，蘇聯(lián)紅軍與對手展開城市爭奪戰(zhàn)，雙方你來我往，城市化作廢墟焦土，成千上萬人死亡，放眼望去儼然人間...
備注：已完結(jié)
類型：劇情片
主演：托馬斯·克萊舒曼 彼得·費(fèi)奧多羅夫 菲利普·萊因哈特 姜廣濤 阿列克謝
導(dǎo)演：費(fèi)奧多爾·邦達(dá)爾丘克
語言：俄語,德語
年代：未知
簡介：1942年秋天，人類史上最慘烈的一場戰(zhàn)爭在寒冷的土地上爆發(fā)。德國人穿越伏爾加河抵達(dá)對岸斯大林格勒設(shè)防固守，蘇聯(lián)紅軍與對手展開城市爭奪戰(zhàn)，雙方你來我往，城市化作廢墟焦土，成千上萬人死亡，放眼望去儼然人間...
備注：已完結(jié)
類型：劇情片
主演：未知
導(dǎo)演：未知
語言：俄語
年代：未知
簡介： Dreams, no matter how bright they are, sometimes become a challenging test of our strength. Ilnara, a graduate of the art school, a young artist, is on her way to her dream. But she has to decide whether to defend her own creative vision, remaining herself, or to become someone else in order to reach success and fame. Ilnara’s fiancé, Amir, challenges her with the choice, follo...
備注：已完結(jié)
類型：喜劇片
主演：阿列克謝·格里波夫 伊萬·迪米崔耶夫 瑪格麗塔·娜扎羅娃 Yevgen
導(dǎo)演：弗拉基米爾·費(fèi)金
語言：俄語
年代：未知
簡介：故事發(fā)生在一艘名為“尤金·奧涅金”的貨輪上，這艘貨輪運(yùn)送著一批特殊的貨物——?jiǎng)游铮哪康牡厥俏挥趭W德薩的一家馬戲團(tuán)。仿佛是上帝開的一個(gè)玩笑，一只黑猩猩從籠子里溜了出來，聰明伶俐的他決心讓伙伴們也嘗嘗自由的滋味，就這樣，他打開了所有的籠子。 一時(shí)間，封閉的甲板成為了大型的野生動(dòng)物園，駭人的獅子和老虎竟然在其上閑庭信步，而身為“自由斗士”的黑猩猩儼然將自己當(dāng)成了一船之主。面對著充滿了野性的動(dòng)物們，船長和船員們手足無措，正當(dāng)一幫大男人們被嚇得瑟瑟發(fā)抖之時(shí)，一個(gè)名叫瑪麗安娜（瑪格麗塔·娜扎羅娃 Margarita Nazarova 飾）的妙齡女子以救命稻草的形象出現(xiàn)在了眾人的面前。
備注：已完結(jié)
類型：劇情片
主演：維克多·崔 Marina Smirnova 彼得·馬莫諾夫 亞歷山大·
導(dǎo)演：拉希德·努格馬諾夫
語言：俄語
年代：未知
簡介：In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having come from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has come to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, compensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), becoming a drug addict and himself becoming involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
