備注：已完結
類型：恐怖片
主演：瑪戈·基德 詹妮弗·紹特 查爾斯·德恩 威廉姆·菲利 萊爾·威爾遜
導演：布萊恩·德·帕爾瑪
語言：英語,法語
年代：未知
簡介：丹妮爾（瑪戈·基德 Margot Kidder 飾）和菲利普（Lisle Wilson 飾）正打算好好的約一個會，卻偏偏遇見了丹妮爾的前夫埃米爾（威廉姆·菲利 William Finley 飾），在甩掉了討厭的埃米爾后，兩人來到了丹妮爾的住處，共享春宵。 丹妮爾發現自己一直在服用的藥物吃完了，便托菲利普去買，然而，當菲利普回到丹妮爾家時，等待著他的卻是冰冷的尖刀。菲利普死了，丹妮爾正是兇手，而埃米爾隨后趕到，幫助丹妮爾處理尸體。這恐怖的一幕被一個女記者全部看在眼里，并且迅速報了警。丹妮爾為何要殺害無辜的菲利普？而丹妮爾口中自己的妹妹多米尼克（瑪戈·基德 Margot Kidder 飾）真的存在嗎？
備注：已完結
類型：劇情片
主演：羅伯特·德尼羅 羅伯特·杜瓦爾 查爾斯·德恩 肯尼思·麥克米倫 埃德·
導演：烏魯·格羅斯巴德
語言：英語
年代：未知
簡介：故事發生在六十年代的美國洛杉磯，湯姆（羅伯特·杜瓦爾 Robert Duvall 飾）是一名偵探 ，一天，他去探望做神甫的弟弟德斯（羅伯特·德尼羅 Robert De Niro 飾），讓湯姆沒有想到的是，自己的弟弟竟然和發生在二十年前的一宗懸案有著千絲萬縷的關聯。在那起案件中，被害人是一名女性，而她似乎和德斯有著非常曖昧的關系。 為了證明弟弟的清白，湯姆對案件展開了調查，很快，一個名叫杰克（查爾斯·德恩 Charles Durning 飾）的男人浮出了水面。如今的杰克是一名建筑承包商，二十年前，他則是馳騁黑社會的頭目。湯姆的舉動引起了杰克的注意，杰克當然不會放任不管。
備注：已完結
類型：喜劇片
導演：布萊恩·德·帕爾瑪
語言：英語
年代：未知
簡介：In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
